The Wide Street Commissioners were responsible for setting up and enforcing the laws that governed the development of the east city centre as well as responsible for the development of civic set pieces such as Parliament Street and Westmoreland and D'Olier Streets. The Chief Commissioner was for some time the Rt. Hon. John Beresford who was largely responsible for shifting the main north-south axis of the city from Capel-Parliament Streets to Drogheda now O'Connell Street.
Beresford favoured shifting the city centre eastwards from the Capel - Parliament Street axis towards a new axis on College Green with Sackville Street and the construction of a new bridge linking the two sides. Naturally this was supported by the Fitzwilliam and Gardiner Estates who had much to gain. Luke Gardiner was also a Commissioner and a brother-in-law of Beresford. The Custom House was built on land reclaimed from the estuary of the Liffey when the Wide Streets Commissioners started to construct the Quays. The line of the crescent that surrounds the Custom House follows roughly the line of the old North Strand along the estuary before the construction of the Quays.
Prior to this period, Lower Abbey Street was a country lane which meandered between Sackville Street and the North Strand. The old Eden Quay area followed the irregular shoreline of the river estuary. It was felt by the Wide Streets Commissioners that this should be rectified and so Abbey Street Lower and Eden Quay were driven straight through from Sackville Street to end in the new crescent allowing the Custom House to close the vista. There was also discussion about constructing a new avenue to radiate from the Custom House to the Royal Barracks (now called Collins Barracks) nearly two miles away. The other street intersecting with the crescent, Store Street West, was placed on an axis originating in the dome of the Custom House. At the time of the Custom House construction, this area was largely unbuilt land and Store Street was laid out as a short street of the same width as Gardiner Street merely for symmetry in much the same way that the Gardiners laid out Belvedere Place from Mountjoy Square as a dead-end.
